|
|
Post by Sprague Dawley on Oct 17, 2020 8:05:47 GMT
Ex-astronaut bloke pissing around at home in his shack in some rural bumcrack, whinging about existential concepts, then he toodles off for a drive and hello, he stumbles on world's biggest NASA lair, takes it all in his stride, and within minutes is piloting spacecraft off to save world. SEEMS LEGIT.
|
|
|
|
Post by pussycat on Oct 19, 2020 15:34:55 GMT
The main character is a fucking moron. Wastes time with all those interplanetary time-shifts, which this movie does a very good job in emulating it as a colossal waste of time.
|
|
|
|
Post by Ladyfingers on Nov 11, 2020 11:07:25 GMT
The tone of this film is too leaden. Nolan is actually something like Kubrick, but lacks the underlying wit.
|
|
|
|
Post by Sprague Dawley on Jun 19, 2021 10:59:21 GMT
Watched this again. It's unfortunate that we humans seem compelled to try to "make sense" of mind-bending shit like this. Second time around, really noticed what a visual trip this thing is. So what if science knob-ends have a big fucken speccy cry at the implausability of it all. Fuck them. They're not about art. I can see how the director must fucking hate arseholes like that. Just suspend the skeptic in you and go with the mentalness of it all. The last 10 minutes of plot chicanery are insanely imaginative.
Weird how second time around, film soundtracks, whether for good or bad, are always more noticeable. Very suspenseful and "stirring" here.
|
|
|
|
Post by Ladyfingers on Jun 19, 2021 11:11:15 GMT
I think there's something heartening about Nolan being given money to make stuff this heady. There's plenty to criticise, but it also feels a bit beyond criticism.
|
|
|
|
Post by Sprague Dawley on Jun 19, 2021 11:13:38 GMT
I think there's something heartening about Nolan being given money to make stuff this heady. There's plenty to criticise, but it also feels a bit beyond criticism. Really surprised how much more I enjoyed it second time around. Migth even give "Inception" another burl. |
|
