|
Post by Sprague Dawley on Jun 9, 2021 9:01:46 GMT
God knows why there's so much guff about this film. It's so bloody stupid and tinpot. Just overwrought soppy acting with the incongruous soundtrack of an orchestra and brass band and string sections and saxomophones going full-throttle right the fuck through every scene. Far removed from Tom Hardy's Fury Road Max, Gibbo's Max is just a blubbering sook. Still, at least every cunts got a strayan accent.
|
|
|
Post by Ladyfingers on Jun 10, 2021 2:04:34 GMT
It's a zero-budget film that has better action than most modern films, primarily because everything is so obviously not done with effects. I also like how uses perfectly ordinary Australian scenery with incredible basic props to suggest that it's on the cusp of some sort of apocalypse. Easy to criticise, sort of impossible to imitate.
Incidentally, if you saw this in America, for years it was dubbed over with Yank accents because the Strine was considered unintelligible.
|
|
|
Post by Sprague Dawley on Jun 10, 2021 2:19:40 GMT
It's a zero-budget film that has better action than most modern films, primarily because everything is so obviously not done with effects. I also like how uses perfectly ordinary Australian scenery with incredible basic props to suggest that it's on the cusp of some sort of apocalypse. Easy to criticise, sort of impossible to imitate.Top take, giving me cause to reevaluate my original position. Top takes like these are why Forthreich pays you nothing to post here. Wait. That came out wrong.
|
|
|
Post by Ladyfingers on Jun 10, 2021 2:29:16 GMT
I remember first seeing it on TV late one night at 14 or so, and it really blew my mind. Something about the way it saw a dystopian future in a countryside not unlike the one I was familiar with, the camerawork and the sheer violence of the car and bike stunts had me scribbling pics in my school notebooks all year long.
|
|
|
Post by Sprague Dawley on Jun 25, 2021 0:26:45 GMT
7" is in every dollar bin in Japan.
|
|